![]() ![]() ![]() Beyond relationships, the media viciously dissects the appearances of famous women. For publicly dating multiple men, she is called a “ maneater” and subjected to forensically detailed r undowns on each of her break-ups and which former boyfriends had nice things to say about her. Though the coverage itself does not stem uniquely from the fact that she is a woman, the way that the media has scrutinized her certainly suggests a sexist bent. A classic example is the ongoing attention paid to Taylor Swift’s dating life. ![]() The fact that fan theories regarding celebrity relationships can incite real news coverage, rather than simple tabloid speculation, is further evidence that the cult of celebrity gossip has become legitimized in our society.Ĭelebrity gossip speculation might seem innocuous were it not for its reinforcement of misogynistic standards in the media. But, as unnecessary as this news attention may be, it is nowhere near as frivolous as coverage of “fan theories,” like rumors about Chris Evans and Selena Gomez’s potential relationship. With the spat of recent headlines devoted to the billionaire space race, people have begun to question to what degree the press should focus on the activities of the wealthy. Yet it is covered simply because consumers happily consume news on the rich and famous. However, this paradigm of celebrity news fosters a strange obsession with the rich and famous, promotes misogynistic standards in the media and enables a bizarre and unnecessary invasion of celebrity privacy to satisfy reader consumption.Īfter all, why should it matter which celebrity is dating whom? Whether or not I like Ben Affleck’s films, his marriage to one Jennifer or another couldn’t possibly affect my daily life. This culture is so entrenched that few seem to wonder why any of this information is important or even relevant. Swaths of “everyday people” read sources ranging from The Daily Mail to People Magazine to stay current on who their favorite musician is dating, whether their favorite athlete really did cheat with the nanny or what their favorite actress spreads on her toast in the morning. Some 60 years later, that invasive culture persists. In one scene, international journalists grill her with questions ranging in topic from what she thinks of French New Wave cinema to whether or not she likes to date Italian men. In the film, Anita Ekberg plays a Swedish actress not unlike herself. Federico Fellini’s 1960 classic film “La Dolce Vita” - which coined the term “paparazzi” - offered one of the first critiques of the banal absurdity of popular interest in celebrities’ personal lives. ![]()
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